Description: MUSICA GREGORIANO EN LATIN
DOMINE IESU CHRISTE - Download MP3 music or MP4 video:
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John Eliot Gardiner conducts the English Baroque Soloists and the Monteverdi Choir. This performance was filmed at the Palau de la Musica Catalana, Barcelona in Dec. 1991. A Requiem Mass in the Roman Catholic tradition is a service designed to pray for the souls of the departed. The parts of the liturgy that are meant to be sung are what constitute all Requiem Mass compositions, including Mozart's. The structure is as follows: 1. Introit 2. Kyrie 3. Sequence: a. Dies irae b. Tuba mirum c. Rex tremendae d. Recordare e. Confutatis f. Lacrimosa 4. Offertory: a. Domine Jesu Christe b. Hostias 5. Sanctus 6. Benedictus 7. Agnus Dei 8. Lux Aeterna Mozart died before finishing the Requiem Mass, and his wife Constanze gave the task of finishing the work to a pupil of Mozart's named Süssmayr. From the Sanctus onward, the Requiem is the creation of Süssmayr, though he did use portions of the Introit and Kyrie for the Lux Aeterna, as requested by Mozart and as per tradition. Despite, or maybe partially because of, the controversy surrounding this Requiem Mass, it is widely regarded as Mozart's greatest masterpiece. Latin Lyrics and English translation follow:
Requiem Mass on the Bi-Centennial of the death of Wolfgang Amedeus Mozart (1756-1791) on 15 September of 1791 in Vienna. Vienna Philharmonic Orchesta under Sir Georg Solti. Vienna State Opera Concert Chorus. St Stephen's Cathedral in Vienna. Arleen Auger - Soprano. Cecilia Bartoli - Mezzo-Soprano. Vinson Cole - Tenor. Rene Pape - Bass.
Domine Jesu; IV. Offertorium; Mozart's Requiem - Latin lyrics and English translation and my drawings. Rundfunkchor Leipzig Gert Frischmuth chorus master Staatskapelle Dresden PETER SCHREIER The translations are not mine, they come from CD booklet + some translations found on the internet.
Domine Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni et de profundo lacu. Libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum. Sed signifer sanctus Michael repraesentet eas in lucem sanctam. Quam olim Abrahae promisisti et semini ejus. Lord Jesus Christ, King of glory, liberate the souls of the faithful, departed from the pains of hell and from the bottomless pit. Deliver them from the lion's mouth, lest hell swallow them up, lest they fall into darkness. Let the standard-bearer, holy Michael, bring them into holy light. Which was promised to Abraham and his descendants. Pamela Heuvelmans, soprano Barbara Werner, alto Robert Morvaj, tenor Thomas Pfeiffer, bass Chamber Choir of Europe Süddeutsches Kammerorchester Pforzheim Nicol Matt, conductor
Domine Jesu Christe, Offertorio gregoriano, Missa pro Defunctis, Giovanni Vianini, Schola Gregoriana Mediolanensis, 02 70.104.245, www.cantoambrosiano.com, studio del canto gregoriano, divulgazione on-line
Wolfgang Amadeus Mozart - Requiem Mass in D minor KV 626 (completed by Franz Xaver Süssmayer, revised edition by Franz Beyer) Nikolaus Harnoncourt (conductor) Concentus Musicus Wien (orchestra) Arnold Schönberg Chor (choir) Gerald Finley (bass) Kurt Streit (tenor) Bernarda Fink (alto) Christine Schäfer (soprano) I didn't like Harnoncourt's previous Requiems all that much, but this one is amazing: From the lush, full SACD sound of the (perfectly played) live recording to the stunning balance between the harsh, dramatic and the quiet, mourning parts. He's using the newest critical edition of the Süssmayer Requiem completion, which makes for a sleeker, cleaner and at times harsher orchestration, closer to that of the Introitus - but it leaves the Süssmayer parts intact otherwise, there is no Amen fugue after the Lacrimosa. But it's not just the revised score that makes this one stand out, the playing of the Concentus Musicus is precise when it needs to be, soften when the score calls for it - I've never heard trombones this piercing in the Dies Irae before, truly apocalyptic, the strings in the Confutatis and Rex Tremendae are crushing, raw - no trace of the saccharine, overly romanticized Requiems of the past (Karajan is spinning in his grave, goofy tracksuit and all), here all the mourning is laced with sheer terror. The Arnold Schönberg Choir is excellent as usual and the recording captures its color perfectly. As for the soloist, Gerald Finley and Christine Schäfer stand ...
La oración de Jesús inspirada en la sensibilidad del hesicasmo, pero sin perder la fragancia del canto latino. La composición busca sobriedad para predisponer al recogimiento y la oración. Las imágenes son íconos bizantinos, que constituyen el fondo ideal para ir meditando palabra a palabra la oración: Domine Iesu Christe, Filii Dei. Miserere mei, pecatoris Señor Jesucristo, Hijo de Dios. Ten piedad de mi, pecador.
Gregorian Chant notation from the Liber Usualis (1961), pp. 1813-1814. Latin lyrics sung by the Alfred Deller Consort.
The amateur early-music group Musica Sonora of Tucson, Arizona performs under the direction of guest conductor Joel Schwindt
Offertory prayer for the Requiem Mass in F minor
TheDominican Rite, codified in 1256, preserves the distinct liturgical usage and spiritual patrimony of the Dominican Order. To view the complete Dominican Rite website, with texts, pictures, history, and other resources, visit: www.op-stjoseph.org Full Rite WITH COMMENTARY www.youtube.com Full Rite NO COMMENTARY www.youtube.com
Offertorium from Mozart's Requiem Mass
On April 20, 2008, the Mt.Pleasant Chorale and the Iowa Wesleyan College Choir Joined together at the First United Methodist Church in Mt.Pleasant, Iowa to perform Maurice Durufle's (1902 1986) "Requiem" under the conductorship of Dr. Jamie Spillane. Soloists included Margaret Clair and Dr. Tim Ahern. Harp, pipe organ, and orchestra accompanied them. Also performed was "Zadok the Priest" by George Frederick Handel (1685-1759) and "Shout Glory" by Byron Smith with Zach Reiter-baritone; Kaylee Nelson-alto Jerry Lalaga-piano; Mallory Ensminger-bass. Broad Street Connection performed "More Than a Paycheck" by Ysaye Barnwell. The Iowa Wesleyan College Choir performed "It Takes a Village" by Joan Szymko, with Adam Miller, Jake Pilger, Kereti Samoa, Kayleigh Septer, and Hailey Workman as soloists, "Hark! I Hear the Harps Eternal" by Alice Parker with Priscilla Marlar as soloist.
Mass for Cardinals and Bishops who died over the course of the year Vatican Basilica, Altar of the Chair, 3 November 2012 Santa Messa in suffragio dei Cardinali e Vescovi defunti nel corso dell'anno Basilica Vaticana, Altare della Cattedra, 3 novembre 2012 Tomás Luis de Victoria - Domine Iesu Christe (Offertorium - Requiem a 4)
Francisco de Peñalosa (Talavera de la Reina, ¿1464/1470?- Sevilla, 1528) Adoro te, Domine Iesu Christe, quem credo sub istis speciebus contineri: panem sanctum vite eterne, Deum verum et hominem. Dignare me facere dignum atque tua gratia frui. Amen. Yo te adoro, Señor, Jesucristo, pues creo que te has manifestado en diversas formas, pan santo de la vida eterna, Dios verdadero y hombre. Ten a bien hacerme digno y permitirme disfrutar de tu gloria. Amén. Je t'adore, Seigneur Jésus-Christ, et je crois que tu es présent sous cette espèce: le pain consacré de la vie éternelle, vrai Dieu et vrai homme. Daigne me rendre digne de profiter des bienfaits de ta grâce. Amen. I adore you, Lord Jesus Christ, whom I believe to be hidden beneath these forms, the saacred bread of eternal life, true God and true man. Grant that I may be worthy to enjoy your grace. Amen. Performers: Ensemble Gilles Binchois
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