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CORELLI Arcangelo - Concerto Grosso per la notte di Natale II°parte - Ensemble Le Musiche da Camera

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Description: Corelli Arcangelo - Concerto Grosso n° 8 op. 6 in sol min fatto per la notte di Natale I°parte da "Il Natale nel Barocco Italiano" - Ensemble Le Musiche da Camera LIVE del 4 gennaio 2009 alla Basilica di S.Bartolomeo di Benevento - nell'ambito di Natale Arcobaleno rassgna del Comune di Benevento www.lemusichedacamera.it - video AMP Studio

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Arcangelo Corelli (1653-1713), one of the most influential musicians and composers of the Baroque era. His published achieved so much popularity that was unmatched until Haydn. Although not the first person to establish or coin the term "concerto grosso," he was hands down the most important in establishing it as a popular music form. The 8th concerto of his op.6 bears the title "Christmas Concerto, " which has been a popular piece even outside of the Baroque repertoire. Concerto Grosso Op.8 No.1 in G Minor Part 1 Vivace - Grave - Allegro - Adagio - Allegro - Adagio - Vivace The Brandenburg Consort / Roy Goodman

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The adagio from the Christmas Concerto for two violins, cello, strings and basso continuo in G Minor "Fatto per la notte di Natale," Op. 6 No. 8. by Arcangelo Corelli. Performed on original instruments by the San Francisco Early Music Ensemble Voices of Music. Featuring Katherine Kyme, Lisa Grodin, Cynthia Miller Freivogel and Carla Moore, baroque violins (left to right); Ondine Young, baroque viola; William Skeen and Shirley Hunt, baroque cellos; Josh Lee, violone; Dominic Schaner and David Tayler, archlute; Hanneke van Proosdij, harpsichord. Soundtrack available at tinyurl.com Voices of Music performs in and records our concerts in St. Mark's Lutheran, SF. Visit us on the web at www.voicesofmusic.org

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Arcangelo Corelli - Christmas Concerto Grosso, Op. 6 No. 8 in G Minor, Fatto per la notte di Natale - III. Adagio, 1714. Although one cannot be sure, Arcangelo Corelli's famous Christmas Concerto -- the Concerto grosso in G minor, Op. 6, No. 8 ("Fatto per la notte di Natale," as the inscription actually reads) -- may well have been composed a full quarter century before it first appeared in print, posthumously, in 1714; there is a record of Corelli having, in 1690, performed a Christmas Concerto for the enjoyment of his then-new patron, Cardinal Pietro Ottoboni. The Christmas Concerto is easily Corelli's best-known piece of music, though isolated movements from the sonatas have, through other composers' adaptations, achieved vast individual fame. It is at heart an example of the sonata da chiesa, expanded from the usual four movements to five and incorporating into the last movement a rolling, 12/8 meter Pastorale ad libitum. Like the rest of the Op. 6 concerti, it is scored for a concertante group consisting of two violins and a cello and a larger tutti ensemble. The normal slow-fast-slow-fast organization of the sonata da chiesa underlies everything that happens in the Christmas Concerto; but Corelli at several key points makes a concerted effort to turn that textbook organization on its head. Six measures of fiery Vivace preface the opening Grave movement, and the third movement (Adagio) has a central Allegro episode in which the first solo violin and first tutti ...

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CORELLI Arcangelo - Concerto Grosso per la notte di Natale I°parte - Ensemble Le Musiche da Camera

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CORELLI Arcangelo - Concerto Grosso

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