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Description: Break Dance Korea 2012 : B-boying, often called "breakdancing", is a popular style of street dance that was created and developed as part of hip-hop culture among African Americans and Hispanic youths in New York City. The dance consists of four primary elements: toprock, downrock, power moves, and freezes. It is danced to both hip-hop and other genres of music that are often remixed to prolong the musical breaks. The musical selection for b-boying is not restricted to hip-hop music as long as the tempo and beat pattern conditions are met. A practitioner of this dance is called a b-boy, b-girl, or breaker. These dancers often participate in battles, formal or informal dance competitions between two individuals or two crews. Although the term "breakdance" is frequently used, "b-boying" and "breaking" are the original terms used to refer to the dance. These terms are preferred by the majority of the art form's pioneers and most notable practitioners.Break Dance Korea 2012 hip hop breakdance powermover over the world including tricks, powermoves and air flare, air chair, windmills, head spin, flag nineteen, international battle of the year boty 2011 break dance.Starring :- B-boy Physicx- B-boy Darkness- Bboy The end (kys or Kim yeon soo his student kill)- B-boy Baek- Bboy aichi- Bboy Born- Expression B-boyKorea : B-boying was first introduced to South Korea by American soldiers shortly after its surge of popularity in the US during the 1980s, but it wasn't until the late 1990s that the culture and dance really took hold. 1997 is known as the "Year Zero of Korean breaking". A Korean-American hip hop promoter named John Jay Chon was visiting his family in Seoul and while he was there, he met a crew named Expression Crew in a club. He gave them a VHS of a Los Angeles b-boying competition called Radiotron. A year later when he returned, Chon found that his video and others like his had been copied and dubbed numerous times, and were feeding an ever-growing b-boy community.In 2002, Korea's Expression Crew won the prestigious international b-boying competition Battle of the Year, exposing the skill of the country's b-boys to the rest of the world. Since then, the Korean government has capitalized on the popularity of the dance and has promoted it alongside Korean culture. R-16 Korea is the most well-known government-sponsored event, and is hosted by the Korean Tourism Organization and supported by the Ministry of Culture, Sports, and Tourism.There are many different individual styles used in b-boying. Individual styles often stem from a dancer's region of origin and influences. Although there are some generalities in the styles that exist, many dancers combine elements of different styles with their own ideas and knowledge in order to create a unique style of their own. B-boys can therefore be categorized into a specific, broad style which generally showcases the same types of techniques. Power: This style of b-boying is what most members of the general public associate with the term "breakdancing". Power moves comprise full-body spins and rotations that give the illusion of defying gravity. Examples of power moves include headspins, backspins, windmills, flares, airtracks/airflares, 1990s, 2000s, jackhammers, crickets, turtles, hand glide, halos, and elbow spins. Those b-boys who use "power moves" almost exclusively in their sets are referred to as "power heads" or power movers. Abstract: A very broad style of b-boying which may include the incorporation of "threading" footwork, freestyle movement to hit beats, house dance, and "circus" styles (tricks, contortion, etc.). Blowup: A style of b-boying which focuses on the "wow factor" of certain power moves, freezes, and circus styles. Blowups consist of performing a sequence of as many difficult trick combinations in as quick succession as possible in order to "smack" or exceed the virtuosity of the other b-boy's performance. This is usually attempted only after becoming proficient in other styles due to the degree of control and practice required in this type of dancing. The names of some of the moves are: airbaby, airchair, hollow backs, solar eclipse, reverse airbaby, among others. The main goal in blowup-style is the rapid transition through a sequence of power moves ending in a skillful freeze. Flavor: A style that is based more on elaborate toprock, downrock, and/or freezes. This style is focused more on the beat and musicality of the song than having to rely on "power" moves only. B-boys who base their dance on "flavor" or style are known as "style heads".

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