aziz mian qawwal - teri soorat - Free MP3 & Video Download

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Dil ke bazar main qeemat nahi dekhi jati piyar ho jaye to soorat nahi dekhi jati --- Maine dil diya, pyaar ki hadh thi Maine jaan di, aitbaar ki hadh thi Mar gaye hum, khuli rahi aankhen Yeh mere intezaar ki hadh thi I gave my heart; that was the height of love. I put my life in his hands; that was the height of trust. I died, but my eyes refused to close. That was the height of waiting. Aziz Mian Qawwal (Urdu: عزیز میاں قوال) (April 17, 1942 December 6, 2000) was one of Pakistan's most famous traditional Qawwals.[1] He is responsible for the longest commercially released Qawwali, Hashr Ke Roz Yeh Poochhunga, which runs slightly over 115 minutes and was originally released on two cassettes. Early life and background Aziz Mian was born as Abdul Aziz (Urdu: عبد العزیز) in Delhi, British India. The exclamation, Mian, which he often used in his Qawwalis, became part of his stage name. He began to introduce himself as Aziz Mian Mairthi. The word Mairthi refers to Meerut, a city in northern India, from which he migrated to Pakistan in 1947. At the age of ten, he began learning the art of Qawwali under the tutelage of Ustad Abdul Waheed Khan. He received sixteen years of training at the Data Ganj Baksh School of Lahore. Aziz Mian obtained M.S. degrees in Arabic, Persian, Persian literature, Urdu literature, and History from the University of Punjab, Lahore. Career Aziz Mian was one of the more traditional Pakistani Qawwals. His voice was raspy and powerful, yet this was not the sole reason for his success. Aziz Mian was not only a master musician but was also the only prominent Qawwal to write his own lyrics (though, like others, he also performed songs written by other poets). His break-out performance was in 1966, when he performed before the Shah of Iran, Reza Pahlavi. He won first prize and a gold medal from the Shah of Iran. In the early days of his career, he was nicknamed Fauji Qawwal (Urdu: فوجی قوال) (meaning "Military Qawwal") because most of his early stage-performances were in military barracks for army personnel. Aziz Mian's Qawwalis emphasised on chorus and on the main point of the Qawwali through repetition; very little attention was paid to the musical part of the Qawwali. Aziz Mian had a talent for reciting poetry to the effect that it touched the audience's hearts. He brought passion to his live performances. One of the trademarks of his stage performances was his habit of rising to his knees (from the normal sitting position) while reciting poetry in the middle of a Qawwali, losing contact with the microphone in the process. Although Aziz Mian mainly sang religious Qawwalis, he had some success in the romantic field. Some of Aziz Mian's most famous Qawwalis are Main Sharabi Sharabi/Teri Soorat[2], Allah Hi Jaane Kaun Bashar Hai, and Ya Nabi. For his service in philosophy and music, the Government of Pakistan awarded him the Pride of Performance medal in 1989. He was fond of discussing religious and Sufi paradoxes in his Qawwalis. He directly addressed Allah and complained about the misery of man (the greatest creation of the Almighty). Most of the poetry in which Aziz Mian addressed Allah was written by Allama Iqbal. He also has performed poetry by a number of contemporary Urdu poets, including Sadiq and Qateel Shifai. Pakistani comedian Umar Sharif has said in one of his stand-up shows about Aziz Mian: "Other people have disputes on earth, his disputes are in heaven. He altercates with Allah." He was arrested multiple times on minor charges but was vindicated. Death Aziz Mian died from complications of hepatitis in Tehran, Iran on December 6, 2000. He was in Iran at the invitation of the Government of Iran, to perform on the occasion of Imam Ali's death anniversary

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